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THE LIBRARIES 


COLUMBIA UNIVERSITY 


AVERY LIBRARY 
ANGRY 


Digitized by the Internet Archive 
in 2023 with funding from 
Columbia University Libraries 


https://archive.org/details/bookofillustratiOOmhbi 


BOOK OF ILLUSTRATIONS OF 
NEW PATTERNS OF 
PAPER HANGINGS 


FOR THE SEASON OF 1908 


~ MANUFACTURED BY M. H. BIRGE & SONS CO. 
OFFICE AND WORKS AT BUFFALO, N. Y., U.S. A. 
SALESROOMS AT 1170 BROADWAY, NEW YORK; 
27 LAKE STREET, CHICAGO, ILL.; 120 TREMONT 
STREET, BOSTON, MASS.; 604 PINE STREET, ST. 
LOUIS, MO.; 46 BERNERS ST., OXFORD STREET, 
LONDON, W., ENGLAND 


Copyrighted, 1907, by M. H. Birge & Sons Co. Copyright for the United Kingdom 1907. (Entered at Stationers Hall.) 


nt wy 
i a 


Liat 


AON Dal om BR ES EIN Doel O 


Heir os COP Yea SaNoOn se 


7 


yt tee 


| 
| 
| 


LONDON OFFICE 


46 Berners Street, Oxrorp Street, Lonpon, W., Encianp 


OrFice anD SaLesrooms, M. H. Birce & Sons Co. 


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= 
- 


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eS ne 


4 SANNA PO OHI ONDA ORONO AYN I ROS FELINE Ne AAO A eed EM 


Interior, No. 70 


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SS ss oe Gore 
Ho) sesl Se 
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AUP HAO 


Copyrighted, 


wat: ol 


ce 


i, 


Yi 


sSSsys=e 


SSS 


= 


Nk 


A PON 


SON 


ior, No. 71 


Inter 


by M. H. Birge & Sons Co. 


hted, 1907, 


1g 


Copyr 


acs 
Noe 
aot 

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ae 

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Bonus Fe 
Amer & 
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Sarees 
Zz 
= = 
Se 
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SBE 
oOowo 
a“ am 
AUAY 


WS 


S 


'TREILLAGE, 


“2 


Copyrighted, 1907, by M. H. Birge & Sons Co. 


Sipe Watt, F-914 

Basket Crown, F-14 

Certine, F-g15 

DecoraTION AND ORNAMENT, F-15 


ee 


pe 


Kiiabesineh isnt l is mnecnpation einen Ape toon esclincnees 


me Spee 


sinha ciple 


cere 


ae 


Ngee sren i ts hapsen 


pec 


stp tly as tr cates 


sabia teenie iiclonniahnitns tie ale A ONE EO et OC LLL LILLARD LAIN 


inet ton pncn th poet ip 


q 


Interior, No. 72 


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ee ey 
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ae A) 
ne eee 


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7 a ae 
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OF ONE DRIES III 


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oercntencnanrinaarnnne =n pe esne oN 


RE IE Re 


a ase ae 
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Sandon ae vnentee curiae. Noor aD enbest datieat 


bape Se aie ee 


Re TR a te 


Interior, No. 73 


irge & Sons Co. 


lel, 18} 


M 
D-764 


by 


1907, 
Sipe Watt 


> 


Copyrighted 


BSR 
ayo 77 * 


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pcm AN ORC IE DINERO ANON PLA Ut Gin 


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Copyrighted, 1907, by M. H. Birge & Sons Co. Interior, No. 74 


Sine Watt, D-796 
Extension Crown, D-97 


Crown anv Base, D-g6 
Fitter, D-797 


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Copyrighted, 1907, by M. H. Birge & Sons Co. Interior, No. 75 


Swe Watt, S-1720 
Crown anD Base, S-720 


sees eee pera 


z. 


BB agenaneneenenrmemnerantnth 


Chae RERRSEORTRE: 


SN nee et RELIEF SI 


Interior, No. 76 


& Sons Co. 


irge 


B 


H 


. 


hted, 1907, by M 
Swe Watt, S-1726 
Crown, S-726 


18 


Copyr 


Fitter, S-1727 


STAT 


{ 


2 US-7.47 


Sro.e Decoration, S-1746 


CeritiInc CoMBINATION 


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vANVAthraaAlicn Svan eNaver AMMUAIAMAAW aH 


ah 


Interior, No. 


& Sons Co. 


irge 


Copyrighted, 1907, by M. H. B 


Sipe Watt, S-1742 
Crown, S-742 
Stitine, S-1743 


Copyrighted, 1907, by M. H. Birge & Sons Co. 


Swe Watt, S-1712 

Crown, S-712 

Base, S-713 

Moutpine Decoration, S-1713 
Fitcer, S-1711 


Interior, No. 78 


aes 


B] . 
MANA yy ge 


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ts 


= 


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Memes palin. Hao 


¥ 


Copyrighted, 1907, by M. H. Birge & Sons Co. Interior, No. 79 


Swe Watt, S-1732 

Finter, S-1732 

Crown, S-732 

Base, S-733 . 


pS ENE SNS LEED LAE IAI 


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rn ern 2 RR SR EE EOC CIOS IE 


ae I RTS NCTE REIL DLS EE 


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Interior, No. 80 


by M. H. Birge & Sons Co. 


Copyrighted, 1907, 


1728 


ce 


SiweE Watt, 
Crown 
Fin 


$-728 
S 


> 


728 


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Interior, No. 81 


Birge & Sons Co. 


by M. H 


Copyrighted, 1907, 


SipE Watt, S-1700 


Crown, S 
Base, 


700 


S-701 


nesta <> A a Pl SO I a eee 


coi 28 


Rs we 


x 


ATT 


4 : <7 a i 


Copyrighted, 1907, by M. H. Birge & Sons Co. Interior, No. 82 


Sme Watt, S-1734 
Crown, S-734 
TREILLAGE COMBINATION, S-1772 


XY) Wie ester 
K A Pee” RW LEAN 


Ay yt 
, 


Copyrighted, 1907, by M. H. Birge & Sons Co. Interior, No. 83 


Sipe Watt, E-826 
Ceiinc, F-925 


TrettLace ComBinaTIon, S-1772 


Gl. 
¥ 7 
ATL a 


~ oo 


ah ile 7 
i eo aee = 


Copyrighted, 1907, by M. H. Birge & Sons Co. Interior, No. 84 


Base, S-1740 
{ S-776 
US-777 


"TREILLAGE ComBINnaTION, S-1772 


Upper Frieze, 


No. 85 


Interior, 


& Sons Co. 


irge 


5 lial, 133 


hted, 1907, by M 


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S-1717 


Borper, 


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Copyrighted, 1907, by M. H. Birge & Sons Co. 


Four Parr Lanpscare Decoration, 7026 
PaneL Borper, 7526 


CL eae 


‘pi 


Interior, No. 86 


as ‘ ' _ 
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o~ 


See eee 


RE A RR ACRE SEAR A 


, No. 87 


1or 


Inter 


irge & Sons Co. 


Copyrighted, 1907, by M. H. B 


Decoration, 8554 


Fitter, 8518 


U 
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Ras he. 
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/ 
a 


Copyrighted, 1907, by M. H. Birge & Sons Co. 


Frieze, 8590 
Davo, 8594 
Hive, 8312 


Ce a 


Interior, No. 88 


Copyrighted, 1907, by M. H. Birge & Sons Co. 


MantTev PaneL, 8562 
Ornaments, 8580 
Watt Panel, 8574 
Ceminc Borper, 8558 
Frieze Borper, 8559 
Hive, 8312 


Interior, No. 89 


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F-914 
E Ground to Match, F-915 
F Plain Stiling 


B_ Decoration, F-15 
See Interior, No. 72. 


C Side, 
D Ceiling, F-915 


A Crown, F-14 


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II A Cap and Base, S-720 
B_ Side, S-1720 
C Plain Tint 


See Interior, No. 75 


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Nos. 71 and 74. 


B_ Side, D-776 
C Crown, D-77 
D Side, 


III A Cap and Base, D-76 


See Interior, 


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lV A Crown, S-712 
B_ Side, S-1712 
C Base, S-713 
D Filler, S-1711 
E Decoration, S-1713 


See Interior, No. 78. 


PPMAMIM MMMM MM OM oT TINT 


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\A A Crown, 8-734 
B_ Side, S-1734 
C Side wall, E-826 


D Treillage, S-772 
E Treillage, S-1772 


See Interior, Nos. 82 and 83. 


PLATE <I] 


PLATE I 


ee 


CE eee 


PEATE IV 


Plates 1, 


Plate 3. 


a 


Ga: 


wa 


PLATE Ill 


tel les! tes! () (eel = 


PLATE I 


Stole Ornament, S-736 
Ceiling Bands, S-1736 
Plain Ground 

Cap and Base, S-724 
Side, S-1724 

Upper, S-725 


PLATE II 
Stole Ornament, E-60 
Ceiling Bands, E-860 
Under Print of E-860 
Cap and Base, S-744 
Side, S-1744 
Upper, S-745 
z, and 4. See Interior, No. 70 and No. 76. 
See Interior, No. 85. 


BZHovoowe 


AmoOwWS 


HOO Se 


PLATE III 
Group with Horses, S-717 
Extension, S-718 
Group with Dogs, S-716 
Cap and Base, S-1718 
Side, S-1716 
Plain Ground 


PIL AMA, IAW 
Stole Ornament and Ceiling Bands, S-1746 
Cap and Base, S-724 
Upper, S-725 
Plain Ground 
Side, S-1724 


AGYN ADD, I 


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PLATE I PLATE Ill 
VII A Cap, D-64 A Cap, S-732 
B_ Side, D-764 B Base, S-733 
C Filler, D-765 C Side, S-1732 
D_ Stiling D Plain Ground 
PANIED, IU PLATE IV 
A Cap, S-700 A Cap, S-742 
B_ Base, S-701 B_ Side, S-1742 
C Side, S-1700 C Plain Ground 
D_ Plain Ground D_ Stiling 
Plate 1. See Interior, No. 73. Plates 1, 2, 3 and 4, show <¢lay-outs”’ for four decorations, 
Plate 2. See Interior, No. 81. any one of which can be arranged on the wall as shown in 
Plate 3. See Interior, No. 79. either of the four plates. 


Plate 4. See Interior, No. 77. 


Lonpon House 


INTERIOR No. 


INTERIOR No. 


InTERIOR No. 


InTERIOR No. 


INTERIOR No. 


INTERIOR No, 


INTERIOR No, 


7O 


71 


72 


ie) 


G5 


SINS De eX 


The London offices and showrooms of the M. H. Birge & Sons Company are 
situated at 46 Berners Street in the West End, occupying what was once a 
characteristic fashionable residence in the time of the brothers Adam, whose man- 
ner of decoration is to be seen in the illustration on page No. 1. 


Altho the premises had been put to various uses since the time of 
George III., little injury was done to the handsome interior, and by careful and 
consistent restoration and decorative treatment the whole has been returned by 
us to its original dignified form. 

The success of this work has been attested to by various flattering comments 
in several of the English trade publications. 

These offices and salesrooms will control the business for the United King- 
dom and the Continent. 


This interior illustrates the value of the wainscot patterns, of which we show a 
number; and all of which admit of being used on the stairway as well as on the 
straight walls. (See also “‘ Lay-out’? No. VI in back of book.) 

The motif in this design is the eye of the peacock treated in a severity 
suggesting the modern German school. 

The ceiling has been decorated with ornamental bands which terminate in a 
decorative pendant or stole. (See also “« Lay-out” No. VI.) 


The ordinary treatment of ceilings has left much to be desired, and as a pro- 
vision for this important part of the interior we are showing a number of original 
effects produced by the use of these stole decorations. Since the range of possi- 
bilities is limitless, the decorator will now be enabled to secure original combina- 
tions by the use of these various parts. 


All the papers illustrated in this interior are 22’’ Specials. 


In this decoration is shown one of the many possibilities of the chrysanthe- 
mum and nasturtium. Further suggestions will be found in “Lay-out” III. 
Here also is introduced the “ Treillage”” work which is playing such an impor- 
tant part in the leading examples of modern work both at home and abroad. 


The word “ Treillage” carries its own meaning, since it is merely the French 
word signifying trellis work. Used in this way, however, it differs from the 
ordinary trellis, which becomes merely a frame to be hidden by growths 
of various kinds. Here treillage is of itself a decoration and imparts to the inte- 
rior an atmosphere of outdoors; and with the elements of stripes of varying 
widths, curves, key blocks, and finials—which we are furnishing —an infinite 
variety of treatments may be accomplished. (See also Interiors Nos. 82, 83, 
and 84.) 

The designs illustrated in this interior are 20/’ Machine Decorations. 


This illustration shows one of the many possibilities of this pattern, the 
elements of which admit of the helpful practice of cutting out and rearranging 
the elements to suit requirements. Further instances are shown in “ Lay-out ” I. 

The ceiling will be found to be very useful, since it may be cut out to form 
large figures for large ceilings, and in other arrangements to produce small devices 
for small ones. 


The papers of this illustration are 20’’ Machine Goods. 

The elements comprised in this set may be made to yield a variety of panel 
treatments, plain or ornamental. (See also “¢ Lay-out” VII.) 

The patterns illustrated are 20’’ Machine Papers. 


This illustration shows an interior in the spirit of the modern English style, 
and with the elements available a great variety of effects are possible. (See also 


“¢ Lay-out ” IIT.) 
‘The designs shown are produced in the 20’” Machine Grade. 
The interior here shown is in the spirit of the Georgian period, and because 


of the unusual divisions of the width of each strip into panels a very striking 
result is obtained. (See also “‘ Lay-out”’ II.) 


The papers illustrated are of the 22’” Special Machine Grade. 
This interior is an original arrangement, somewhat in the spirit of the 


modern movement,— both Scotch and German. Note the use of the stole deco- 
ration on ceiling. (See also “ Lay-out” VI.) 


All the papers illustrated in this interior are 22’ Machine Specials. 


InrERIOR No. 77 


INTERIOR No, 78 


INTERIOR No. 79 


INTERIOR No. 80 


InrTERIOR No. 81 


InreRIoR No. 82 


InrERIOR No. 83 


INTERIOR No. 84 


InreRtor No. 85 


INTERIOR No. 86 


INTERIOR No. 87 


The several parts to this set admit of being arranged in a great variety of 
decorations in the spirit of the Adam’s style, (See also “ Lay-out”’ VII.) 


This design is produced in the 22” Machine Grade. 


This is one of the most complete decorations ever produced by us, being 
after the style of Louis XVI. 


In this case the moulding is used merely as an extension in the panels, but in 
‘“‘Lay-out”? IV it is shown as forming a large panel about the group of lesser 
panels. With the parts to this set one may accomplish practically any form of 
recognized French paneling. 


The decoration is made in the Special 22/7 Machine Grade. 


This dainty and sentimental panel decoration recognizes no particular period, 
but will at once recommend itself for its possibilities. (See also “ Lay-out” VII.) 
The patterns illustrated are Special 22’’ Machine Goods. 


The cartouche panels in this decoration may be supplied with some of the excellent 
colored prints from the modern periodicals, or, we can furnish French lithographs 
after the Watteau style, as are illustrated here. 

‘The combination is produced in the Special 22’/’ Machine Grade. 


A Louis XV with characteristic landscape and garlands. (See also “ Lay-out” VII.) 
This decoration is made in the Special 22’’ Machine Grade. 


In this illustration the idea of the outdoor suggestion of treillage is enhanced by 

the use of a grove of saplings which, with the suggestion of wild flowers and the 

distant river, give the atmosphere of the quiet country. (See also « Lay-out” V.) 
The papers of this decoration are all of the Special 22’’ Machine Grade. 


Here again the treillage is used to secure the out-door effect, and with the lilac 
used in this free manner the suggestion is at once that of the old-fashioned garden. 
The ceiling too shows one of the many effects possible in the use of treillage and 
a cloud effect. (See also “ Lay-out” V.) 

S-1772 is a Special 22/’ machine paper. The other designs of the illustration 
are 20’ designs. 


This severe treatment suggests the simplicity of the Japanese tea house—an effect 
which is enhanced by the distant boughs of peach blossoms. Note the effect of 
apparent distance secured by passing the bars of strong color across the compo- 
sition, and also of “forcing” the perspective, as in the case of the beams under 
the eaves. 

The papers illustrated are all of the Special 22/’ Machine Grade. 


This decorative frieze with its three parts is, in its rendering, like some of the 
work at “Eaton Hall,’ the seat of the Duke of Westminster. It has two 
separate groups of figures, horses and dogs, and an additional part without figures, 
which forms an extension, These with two ten-inch bands produce a most im- 
pressive and very decorative frieze. 


The high wainscot effect is in a simple bold heraldic style forming an agree- 
able contrast to the frieze. (See also “« Lay-out”’ VT.) 
All the papers of the decoration are of the Special 22’ Machine Grade. 


This illustration gives but an imperfect impression of the tapestry landscape effect 
to be secured by the use of these four parts and framing border. 


The original “Tree” tapestry was produced by us for the Pan-American 
Exposition and consisted of two widths of pattern each matching upon itself, or 
upon the second part. The continued popularity of these two panels has induced 
us to add two other panels, which are so different in detail that, with their use in 
connection with the original panels, an immense variety of arrangements may be 
arrived at and all suggestion of repetition entirely lost. Each separate panel 
repeats upon itself as well as upon each of the remaining three. 

The decorations of this illustration are 22/’ hand-made papers. 


This Louis XVI. interior suggests some of the work done for that unhappy 
monarch at Versailles, tho the illustration fails to reveal the great delicacy of 
detail which appears in the high modeling of this pattern. The panels may be 
formed of practically any color, tho only one is shown by us for each set. The 
white or contrasting stiling with the raised ornamental mouldings and the hand 
decorated festoon of roses and leaves produce an effect of singular delicacy, 
besides being very accurate in period representation. 
The papers of this illustration are hand-made. 


INTERIOR No. 88 


Inrer1oR No. 89 


This illustrates the possible use of several leathers of different character in pro- 
ducing a harmonious scheme. ‘The frieze is formed of a decorative panel and an 
expanse of plain hide. By this arrangement the decorator can place the panel at 
the corners of the room or over doors and fill out the remaining frieze space with 
plain leather. ‘The design is a direct copy from an old Spanish Baldachino and 
is most characteristic of this ancient ecclesiastical work. 

The wainscot is an example of the Biedermeier style which is receiving so 
much recognition at the hour in the decorative world. It seems that the desig- 
nation of BIEDERMEIER does not refer to an individual or originator but 
rather to a fanciful spirit who was supposed to preside over the affairs of the 
middle class Germans of the early 20’s. A merchant of strict honesty and 
amiable dealing was ‘‘ Biedermeier.” 


The decorative work produced in this spirit took on the frank simplicity and 
quaintness of all things Biedermeier, and whether it will find continued popularity 
or not, it is a refreshing note and we shall be none the worse for a little Bieder- 
meier. 


All the papers of this illustration are made only in hand leather finish. 


The main wall panels of this interior are filled with an accurate reproduction of 
a fine example of old Spanish leather. ‘The piece from which this leather paper 
was made belongs to the now famous collection in our possession and was made 
in Spain in 1730, and is in excellent preservation. 


This pattern is also made on real leather and colored in lacquer on metal leaf. 


The panels over the mantel are filled with a stamped leather pattern, which 
had its origin in two old Italian book covers. The frieze is a heavily marked 
leather with a decorative border framing the panels. This border was designed 
with a view to its being shortened when necessary to bring the square figures at 
desired locations. Where it is desired to supply the corners of a panel with the 
square figure, and at the same time distribute the remaining figures in the spaces 
between, the border may be cut at each square and the space between “taken 
up” by cutting. 

The small nail pattern here shown is a ten-band border and will be found of 
the greatest value in all leather work. 


All the papers of the illustration are made only in one hand leather finish. 


THE 
MATTHEWS-NORTHRUP. 


WORKS 
BUFFALO CLEVELAND-AND NEW YORK 


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